PLEASE NOTE: As of Photoshop 22.5, Adobe has discontinued support for the program’s 3D features. This may affect some or all elements of this blog. For more information, see Adobe’s FAQ page about this change and the Geographic Imager compatibility information page.
We created a video to show that it is possible to use geospatial data and the 3D capabilities of Adobe Photoshop. It performs very well with a decent computer and video card.
In this video, a combination of Geographic Imager and Adobe Photoshop functions are used to open a DEM file using a script. The script also transforms a DEM into a 3D model and allows for an overlay of a colour model based on the data or a custom image (e.g. ortho image). Video after the jump.
PLEASE NOTE: As of Photoshop 22.5, Adobe has discontinued support for the program’s 3D features. This may affect some or all elements of this blog. For more information, see Adobe’s FAQ page about this change and the Geographic Imager compatibility information page.
NOTE: Prior to performing these steps with your data you would want to ensure that the DEM and image have the same geographic extents.
Using Geographic Imager, open your DEM file and set the desired schema type. In this case the DEM was “Auto stretched”.
With the DEM now opened and rendered as a 16-bit grayscale Image we can now make use of a number of Adobe Photshop tools to render it in 3D and to drape the image.
The following steps will outline the Adobe Photoshop procedures required to create the 3D rendition:
1. Create a 3D mesh: Under the 3D menu within Photoshop select “New Mesh From Grayscle->Plane”
2. We then use the “3D Object Rotate Tool” located in the Photoshop toolbar to manually rotate the mesh tilting it backwards, resulting in something like this
3. The resulting mesh is too exaggerated for a realistic rendering of the landscape so we will adjust the y orientation of it using the “3D Object Scale tool” setting the Y: scale to 0.10
This is the image after vertically rescaling it
4.Once the 3D mesh has been rescaled the image can be draped
In the Adobe Photoshop “3D Materials” panel, click the “Edit Diffuse texture” button (as denoted in the screenshot below) and select the “Load Texture” option. Now locate and select the image you wish to drape on the 3D mesh.
5. Within the Layers panel turn off the visibility of the Rocky Mountain DEM (as in the screenshot below).
Edit: Updated with a new QGIS workflow (November 21, 2014)
The following tip is courtesy of Hans van der Maarel of Red Geographics.
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For many areas on Earth, OpenStreetMap is a viable alternative to commercially offered data sources. However, it is not always easy to process. This blog tutorial explains the steps needed to load OpenStreetMap data into MAPublisher.
1. Download and install QGIS, this is a free GIS application, available for Windows, Mac and Linux computers. QGIS now comes with built in tools for downloading Open Street Map Data.
2. Open QGIS and zoom in to an area of interest. Use the OpenLayers plugin for a basemap if you do not have any imagery or mapping of your own. Keep in mind that downloads from the OpenStreetMap website are limited in the number of exported objects, so for larger areas you will have to combine multiple downloads yourself, or look for other options (for example Geofabrik).
Bing Basemap
3a. Go to the Vector Menu and Choose OpenStreetMap and then Download data.
OSM Download Menu
3b. Choose how you want the extent of the downloaded data to be defined. The easiest way is to use the Map Canvas.
OSM Download Dialogue
4. Open your downloaded .osm file in QGis using the Add Vector Layer tool. Select all the Layers and choose OK.
Select vector layers to add
This results are shown in several layers depending upon what is present in the extent you have downloaded. In this case there are points, lines, multilinestrings and multipolygons. Note that QGIS only imports features that fall completely within the extent specified. So make sure you choose an area larger than your actual area of interest to ensure it is completely covered.
OSM layers loaded in QGIS
5. Export these layers one by one. Right-click and choose “Save As, then ESRI shapefile”.
Save Points to Shapefile
6. The shapefiles can be imported into Adobe Illustrator using MAPublisher. After reprojecting, scaling and cropping we’ve ended up with the raw OpenStreetMap vectors in Adobe Illustrator, with all attributes still maintained.
OSM Layers loaded in MAPublisher
7. Once within the data is imported successfully, you may now use any of the MAPublisher and Adobe Illustrator tools to style and customize the map in any way you want.
Adobe Illustrator documents with GIS data can be exported to georeferenced PDF files thanks to the MAPublisher Export Geospatial PDF feature. A geospatial PDF is an Adobe Acrobat file that contains geospatial coordinates. With coordinates, users can view and interact with the PDF to find and mark location data. MAPublisher exports all the MAP Attributes data in an Adobe Illustrator document into the geospatial PDF. Attribute values can subsequently be accessed and searched in Acrobat 9 (and 8 with limitations).
In order to ensure the best interoperability and geospatial PDF output results from your MAPublisher documents, the following work practices are recommended:
Convert document color mode to RGB
To ensure predictable color results, it is highly recommended to convert the documents color mode to RGB prior to exporting to Geospatial PDF. This is advisable especially if generating geospatial PDF documents to be used in conjunction with the PDF Maps app for IOS devices. The document color mode can be changed in Adobe Illustrator through File > Document Color Mode > RGB Color.
Crop data to the required extents using the MAP Vector Crop Tool
Remove any extraneous data not required for the geospatial PDF document by cropping the map using the Vector Crop Tool (located in the Adobe Illustrator Toolbar). If necessary, exclude data from being cropped by locking the its the appropriate layers.
Remove unnecessary layers
Delete any map layers that are not required for the final PDF map document. This may include raster layers, hidden layers, and layers that are outside the mapping extent or art board. Not only will this decrease file size, it will also simplify your layers list and improve organization. Delete layers in the MAP Views panel or the Layers panel.
Preserve data contained within sublayers
If your document contains map data organized within sublayers it will be necessary to reorganize/move this data to it’s parent layer if you wish to preserve it when converting to and from geospatial PDF. This is necessary because data contained on sublayers are forced into their parent layer by the Adobe Illustrator PDF exporter. Layers are also required for importing a geospatial PDF back into MAPublisher in order to assign a schema.
Remove unused attribute information
Data sets, especially those available through various data portals and government agencies can contain attribute information not suited or required for our mapping need, or perhaps we are only interested in the geometry of the data for representational purposes. In this case it is advisable to delete any attribute information that does not fulfill a purpose as this will unnecessarily increase the resultant file size. Select your data, open the MAP Attributes panel, and click the Edit Schema button. You may delete and organize your attributes using this panel.
Assign MAPublisher attributes to Adobe Illustrator Object names
This recommendation is not necessary but may be useful in some cases. In MAPublisher the #Id attribute column is a unique identifier MAPublisher uses internally to associate attributes with unique pieces of art. By default the art will have a name of “path” or “compound path” however it may be desirable to tag the object with a unique identifier from an existing attribute column for the purposes of making it easier to differentiate art objects within the Acrobat tree list, for example.
To do this we can use the “Apply Expression” option in the MAP Attributes panel. Simply designate the #Name column as the “Apply to” option while entering the name of the attribute column you wish to derive the attributes from as the “Expression”. For example in the screeshot below we are renaming the art objects contained in the #name column with values stoed in the “ROUTE” column with the results being reflected in the artwork listed in Illustrator Layers panel.
Use the Simplify Line Tool
Reduce the number of vertices available in MAP Line and Area layers by using the Simplify Line tool (located on the MAPublisher toolbar). This differs from the Adobe Illustrator Simplify Path tool because it takes into account X and Y coordinates. The proximity value or simplification tolerance is based on the vertical difference between the begin-end line and points off a line, not the distance between anchor points on the line.
Geospatial PDFs derived from or include images should be generated as 72 DPI
This has particular relevance when dealing with geospatial PDF files, especially those generated with Geographic Imager. When a 200 DPI (dots per inch) georeferenced image is converted to a geospatial PDF, the image will be embedded in the PDF as a 200 DPI image. However, when displayed by PDF viewing applications such as Acrobat or Illustrator it will appear as a 72 DPI image. Due to this, on export, MAPublisher converts the referencing to 72 DPI format since it must be imported back as 72 DPI
Following the above recommendations should help ease the transition of your MAPublisher documents to and from geospatial PDF.
Dot density themes are sometimes called dot distribution maps because they show where particular data characteristics occur. It uses dots or other symbols to represent the number of occurrences of a given data characteristic in a particular location. Starting at MAPublisher 8.4, the ability to create dot density maps is available through the provision of Dot Density Themes.
When creating a new MAP Theme simply choose “Dot Density” from the available theme types. The creation of a dot density theme is facilitated through the MAP Themes panel. The dot density theme is an Adobe Illustrator effect applied to an area layer.
As dot density maps are most useful for showing where particular data occur, they may only be generated for MAP Area type layers. Most often, symbols are used to represent data occurring within a bounding polygon such as a census tract, zip code or county polygons.
Dot density effects are created on a per layer basis, based on various user defined settings. Data ranges can be determined from selected attribute columns and then a dot value can be assigned a corresponding symbol at which point MAPublisher will map the appropriate results. Users may apply default symbols or load custom ones based on Illustrator symbol sets
In this example, population tallies per county have been loaded, assigned a dot value of 10,000 with a designated symbol of a 2pt black dot.
This screenshot displays the map prior to applying the dot density effect.
The screenshot below displays the map after having applied the Dot Density Theme using the parameters displayed within the dialog .
New to the MAPublisher 8.4.2 Make Index tool is an enhancement that allows you to index objects relative to a MAP Area layer’s features instead of an index grid. This new functionality compliments the existing geoprocessing tools found in the Buffer Art tool and the Spatial Filter in the MAP Selections panel.
An index grid on a MAP Legend layer is no longer a prerequisite for using the Make Index tool. By choosing the “Use Area layer as grid” option in the Make Index dialog box, a spatial query will be performed and an index file will be produced based on the layer and attribute specified.
For this example, I have loaded a point file of cities and a point file of nuclear facilities against a background of North America. I then proceeded to use the Buffer art tool to create 80 kilometer buffers around each facility.
Finally, I will produce an index that returns which communities fall within the 80 km radius surrounding each nuclear facility. For this index I will choose my Towns_labels MAP Text layer.
With these settings our index gives a line for each city that falls within the buffer, and after a tab delimiter, gives the name of each facility as found in the kmlName attribute of the Buffered Art layer. Notice that for cities that fall within the buffer of multiple nuclear facilities, the values from the kmlName attribute field are concatenated together with a semicolon “;”.
If you choose to make an index using an index grid, the option to add an attribute from a bounding MAP Area layer can be accessed from the Advanced tab of the Make Index dialog.
MAPublisher 8.4 has an exciting new feature: importing data from web services. It is another enhancement to provide you with more options to access data.
You can import vector data using the Web Feature Service (WFS). It accesses web servers that deliver vector content in GML format. Similarly, you can import raster data with the Web Map Service (WMS). It accesses web servers that deliver raster content in a variety of formats.
Access the WFS and WMS directly from the Simple or Advanced Import dialog boxes. After selecting either Web Feature Service or Web Map Service from the Format drop-down list, browse for a web service and select one. Of course, you can easily add, remove and manage your favourite WFS/WMS in this dialog box.
After selecting and connecting to a WFS/WMS, simply select features (layers) or rasters you want to import into Adobe Illustrator. At the same time, you will have an option whether or not to save the original datasets in GML format.
Click the Info button available next to the Server Info at the top of the dialog box. You can see more detail information about the web server.
After importing features from the WFS/WMS, each of the features will be in a MAP layer and all the georeferencing of those selected features will be stored in the MAP View.
Among other great new features, MAPublisher 8.4 includes new text utilities designed to ease cartographic workflow by adding flexibility to text handling. These tools are accessed through two icons grouped with the MAPublisher document operations tools on the MAPublisher tool bar.
Text Utilities
Add functions like convert text on a path to point text, separate multiline text, extend overflowing text, flip upside down text, crop text path to text length, set text alignment, rectify point text to angle, and draw shape around text. These text utilities can be applied to selections, to layers, or to all document text at once. The following table provides examples for the result of each tool.
Right-to-Left Text Tool
Many right-to-left languages, such as Arabic and Hebrew, require additional language-specific processing to get the correct glyph output given the incoming character stream. Let’s look at an example.
Looking at the MAP Attribute panel, we see that the Arabic script is displayed properly
Yet, when using the Label Features tool, we see that the Arabic text is placed as a series of symbols that indicate that the text placement could not be accomplished accurately. This is one of two scenarios we will see, the other being that the Arabic characters will be placed left-to-right.
This happens because Label Features uses the currently selected font, in this case Myriad Pro. Since the Arabic characters were not found in the current Myriad Pro, the displayed symbol is substituted.
Once we apply the Right-to-Left text tool to these symbols, the Arabic characters will be reordered and altered to display the character appropriate to placement within the word and appropriate to surrounding characters. To apply the Right-to-Left text tool select Arabic from the preset drop-down menu. This populates the remaining settings with the correct parametrs.
Clicking OK, the script now matches what is found in the MAP Attribute Table.
If you are using MAP LabelPro, you will also need to use the Right-to-Left text tool after labeling. However, there is a slight difference between Feature Labels and MAP LabelPro behaviour. Instead of displaying the box with “x” symbol, it will place the Arabic characters in reverse order from their proper placement in the MAP Attributes table.
The text on the left is placed by MAP LabelPro, with the text on the right having been corrected with the Right-to-Left text tool.
We’re excited that these text utilities are being incorporated into MAPublisher. Many users have been requesting more text options. We hope you’ll like them as much as we do. We’re putting the finishing touches on MAPublisher 8.4 and will be releasing it in a few weeks.
When first creating a map, very often you will find yourself having to align GIS data, especially if it is found or supplied by various sources. You might find that the coordinate systems assigned to each of the datasets might be different. This can prove challenging for many cartographers and GIS users. However, with MAPublisher, you can transform and align your datasets to one coordinate system very easily using the MAP Views panel.
For example, we have five layers with three different coordinate systems. After importing them into MAPublisher, the result is three different MAP Views. The MAP Area layer (Province) is in a Lambert conformal conic projection. The MAP Line Layer (river) and MAP Area layer (lake) are in a Robinson projection. Lastly, the MAP Point layer (cities) and MAP Line layer (roads) are in a geodetic coordinate system WGS84.
Let’s decide that the map we are creating here will have a Lambert conformal conic projection (the MAP View with the province area layer). Now, simply select the two layers in the Robinson MAP View, then drag them to the “Lambert Conf. Conic – 1: 30,000,000” MAP View.
The rivers and lakes layers are now transformed and aligned to the province boundary layer.
We will do the same for the cities and roads layers in the “WGS84” MAP View. Select the two map layers (cities and roads layers) then drag them to the “Lambert Conf. Conic – 1: 30,000,000” MAP View.
The cities and roads layers are projected on-the-fly. Now every layer is transformed to a Lambert conformal conic projection and aligned appropriately.
MAPublisher is popular with educators and students because, in no time at all, new users can begin to create great looking maps. Working seamlessly with the Adobe Illustrator environment, users can spend more time on map details and less time fighting with complicated importers and data format conversions.
Avenza Systems Inc. recently received student work submitted by the Univeristy of Montana’s Digital Design course. These maps show some excellent terrain shading, good colour choices, and a knack for making complex cartographic detail legible.
We wish to thank the students for generously allowing us to distribute their work, and we wish them luck in their upcoming mapping endeavours.
